new orleans literature

Possibility as an exercise of analysis: A review of Spree MacDonald’s MILKSOP CODICIL

Milksop Codicil Spree MacDonald Slapering Hol Press, 2017 “Milksop,” meaning cowardly or indecisive person; and “codicil,” a legal addendum which in some way modifies a will. Spree MacDonald’s chapbook, winner of the 2016 Slapering Hol Press Chapbook Contest, immediately asks a reader to consider the relationship between the interpersonal and institutional — and how that Possibility as an exercise of analysis: A review of Spree MacDonald’s MILKSOP CODICIL

Confronting the surrounding, unbearable silence: A review of Lauren Levin’s The Braid

In “Can the Subaltern Speak?”, Gayatri Spivak critiques Deleuze and Guattari’s Anti-Oedipus; she writes: “theories of ideology cannot afford to overlook the category of representation in two senses…[t]hey must note how the staging of the world in representation…dissimulates the choice of and need for “heroes,” paternal proxies, agents of power.” Spivak’s distinction between these simultaneously Confronting the surrounding, unbearable silence: A review of Lauren Levin’s The Braid

The animating grief is unfixable: A review of Elizabeth Gross’ Dear Escape Artist

Dear Escape Artist Elizabeth Gross Press Street Press/Antenna,  2016 “Figures take shape,” Roland Barthes writes in A Lover’s Discourse, “insofar as we can recognize, in passing discourse, something that has been read, heard, felt.” Dear Escape Artist, an epistolary sequence poem by Elizabeth Gross joined with book artist Sara White’s ink drawings, assembles its addressee The animating grief is unfixable: A review of Elizabeth Gross’ Dear Escape Artist

Bound by interrogative physics: A review of Stacey Balkun’s Lost City Museum

Lost City Museum Stacey Balkun ELJ Publications,  2016 Divided into two parts, Stacey Balkun’s Lost City Museum incorporates this division into what becomes an indispensible aesthetic whole, where seemingly unrelated images and moments—parties, mer-creatures, and museums (to name a few)—are bound by Balkun’s interrogative physics: Lost City Museum is a sensorium of motion, where conflict Bound by interrogative physics: A review of Stacey Balkun’s Lost City Museum

Community Book Center to host Michael Allen Zell, DC Paul, Addie Citchens, and Nia Gates on Wednesday

The Community Book Center will host author Michael Allen Zell, DC Paul, Addie Citchens, and Nia Gates at 6 p.m on Wednesday, August 17, at their space at 2523 Bayou Road. Author Michael Allen Zell and actor/comedian DC Paul will perform a staged reading from Zell’s work Run Baby Run. Author Addie Citchens will premiere her Community Book Center to host Michael Allen Zell, DC Paul, Addie Citchens, and Nia Gates on Wednesday

Mixed Company to Host New Orleans Premiere of Eritrean/Ethiopian Documentary ASMARINA

Mixed Company will host the New Orleans premiere of ASMARINA: Voices & Images of a Postcolonial Heritage, a documentary by Alan Maglio and Medhin Paolos from 4 – 6:30 p.m. on Saturday, June 18, at Cafe Istanbul (2372 St. Claude). Admission to the event is free. Based within the habesha community of Milan, ASMARINA explores the Eritrean/Ethiopian Mixed Company to Host New Orleans Premiere of Eritrean/Ethiopian Documentary ASMARINA