Cinema/Film/Film Review

Elisabeth Moss Making A Goofy Sinister Face
Movies Like The Invisible Man Need to Disappear

First off,  there will be spoilers in this review. I am not hesitating with the…

All Blood and No Guts: Blood Quantum is a gory thrill-ride but lacks substance

Blood Quantum is an indigenous zombie movie set on the Mi’kmaq Red Crow Reservation in…

The Candyman Can

When I first heard that Jordan Peele was producing a new Candyman, I talked to…

Written in Lightning : (Looking Back at Watchmen)

Damon Lindelof’s Watchmen chooses to speak directly to Black America Watchmen is widely regarded to…

Tomorrow Hits Today: See You Yesterday is a Worthy Entry into the Afrofuturist Canon

I used to say that if Back to the Future starred a black man, it…

Locked at the End of the World

NOTE: Antenna will host a screening of Locked on Thursday, June 13th, 7PM including a…

Circling the Wagons : Star Trek Discovery Pumps new blood into an aging franchise

Last month, Star Trek: Discovery concluded its second season on the streaming platform CBS All…

“We’re Americans”: A look at Jordan Peele’s Us

Jordan Peele’s Us is a note-perfect nightmare of Late Capitalism. When I was seven years…

HOMECOMING: shrewd casting and narrative decisions make this new Amazon drama worth a look.

It’s not often that we get a chance to see a podcast adapted for television—especially…

Francine Thirteen explores a genre of her own making with “Live in My Grace”

“Ritual pop” is  the name , Francine Thirteen gives to the genre/aesthetic she explores in…

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