Interviewer : Why don’t you draw people in your drawings? Khalid Abdel Rahman: I feel like the people I know disappeared. On April 19, 2015, the Ital…
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Essays Featured on RM220
Truth: Red, White, and Black is a Landmark for Black Marvel Fan
I first began reading comics at the age of 4. My sister had just taught me how to read, and my brother summarized the adventures of numerous Marvel he…
His Name, But Our Power: Cierra Chenier reflects on the impact of Tremé on New Orleans culture
N. Rampart, Claiborne, Orleans, N. Broad, Esplanade. 6th Ward. New Orleans would not be New Orleans without the Tremé. The oldest Black neighborhood i…
History & Geography: Field Marshall Dedan Kimathi Covers “The Source”
This past August, in a bit of a writing funk, I came across Lawrence Ware’s, “What The Source Taught Me.” An homage to the magazine…
Kalamu Ya Salaam’s Be About Beauty:
Is it still Lion in Winter if there are no signs of frost? Kalamu Ya Salaam’s Be About Beauty arrived in our inboxes as we sent New Orleans Gri…
Bloodline: The Power of Music and Memory
When we think of Louisiana music, often genres such as Zydeco, Jazz, and now Bounce music are at the forefront of these conversations. These cultural …
Beyond The Magic Negro
Castle Rock’s Henry Deaver represents a major change I began reading Stephen King, at the age of 10. On a whim, I picked up his novel, IT during a lib…
As Hard-Edged and Challenging as a Bone: Ken Foster on Eileen Myles’ AFTERGLOW (A DOG MEMOIR)
**Editor’s note: RM220 presents Eileen Myles at 8 p.m. on Thursday, November 16, at Saturn Bar (3067 St. Claude Avenue).** “You’ll get ano…
The Metaphysical Hangover, or an Antidote: Looking back at the launch of Anne Gisleson’s THE FUTILITARIANS
As soon as I left the New Orleans launch party for Anne Gisleson’s The Futilitarians, I drank liquor with a dear friend of mine and we talked about th…
Featured Essay: Heavy Metal in the Age of Trump
Standing in a metal bar just three days after Trump’s election, the American flag should’ve been a clear sign that the show I was at was about to get …