Review: N. K. Jemisin’s The City We Became is Almost Great

“All I want to do is paint, man, because it’s in me and I need…

All Blood and No Guts: Blood Quantum is a gory thrill-ride but lacks substance

Blood Quantum is an indigenous zombie movie set on the Mi’kmaq Red Crow Reservation in…

After a Choppy Start, FX’s Snowfall has Grown into a Classic

By the close of its third season, FX’s Snowfall has matured from an uneven, dubiously-paced…

Jellyfish!  Cibo Matto!  Paramore! Dance Gavin Dance!  Living The Color! Pavement! (A look back at “Together Nonlinear”)

It’s Midnight and I am laying awake in my bed. Staring at the ceiling, my…

Circling the Wagons : Star Trek Discovery Pumps new blood into an aging franchise

Last month, Star Trek: Discovery concluded its second season on the streaming platform CBS All…

“We’re Americans”: A look at Jordan Peele’s Us

Jordan Peele’s Us is a note-perfect nightmare of Late Capitalism. When I was seven years…

HOMECOMING: shrewd casting and narrative decisions make this new Amazon drama worth a look.

It’s not often that we get a chance to see a podcast adapted for television—especially…

Spirit Desire: Resistance, Imagination and Sacred Memories in Haitian Vodoun ( Sokari Ekine, 2018)

Sokari Ekine’s Spirit Desire, Resistance, Imagination and Sacred Memories in Haitian Voudoun is not meant to be…

New Orleans’s own Jon Padgett is an apostle of Dark Fiction.

My first exposure to Jon Padgett’s work was through the horror fiction podcast, Pseudopod. Padgett…

Lina Iris Viktor: A Haven, A Hell, A Dream Deferred (A Review)

Lina Iris Viktor, Eleventh, 2018 Something used by someone else carries a history with it.…

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