nathan c martin

The Historic New Orleans Collection presents “Alternative Imprints: Jon Webb, Gypsy Lou, and the Hand-Sewn World of the Loujon Press”

The Historic New Orleans collection recently unveiled a new exhibition, “Alternative Imprints: Jon Webb, Gypsy Lou, and the Hand-Sewn World of the Loujon Press,” dedicated to the life and work of the progenitors of the esteemed 1960s New Orleans publishing project. The exhibition, which consists largely of materials donated to the HNOC by the Webbs’ The Historic New Orleans Collection presents “Alternative Imprints: Jon Webb, Gypsy Lou, and the Hand-Sewn World of the Loujon Press”

You might think sending Bhutanese people to Fargo doesn’t make sense, but it does: A Conversation About Refugees with Juliet Linderman and Susan Weishar

Refugees granted asylum in the United States arrive through only a handful of cities. They often spend the first night in their new country at a hotel near the airport, where they rest and prepare for the next leg of their journey. Beginning in 2007, the first person some of these refugees would meet in You might think sending Bhutanese people to Fargo doesn’t make sense, but it does: A Conversation About Refugees with Juliet Linderman and Susan Weishar

A Lament for Maple Street

By now I feel most literate adults have had some sort of discussion about the dynamic time in which we find ourselves in terms of reading—the way we read is changing, has changed, exponentially, magnificently. Not since the invention of the printing press has there been such an insane shove in accessibility of information. The A Lament for Maple Street

You pretend to be bold and we’ll pretend to be radical: FUCK POEMS reviewed by Erik Vade Stowe

Fuck Poems: An Exceptional Anthology Edited by Vincent A. Cellucci (Lavender Ink) Reviewed by Erik Vande Stowe “The poets! They’ve destabilized/explored a concept previously unspoken. We are all so proud of them.” This is the general outline of the review. As the resolution increases, individual paragraphs come into focus and we learn that, by charting You pretend to be bold and we’ll pretend to be radical: FUCK POEMS reviewed by Erik Vade Stowe