nathan c martin

Los Invisibles Inmigrantes of the Post-Katrina New Orleans Reconstruction Apocalypse Blues

This is an excerpt from Immigrant Dreams and Alien Nightmares, a new collection of poetry by José Torres-Tama. Room 220 will host Torres-Tama for a reading/performance to celebrate the launch of the book from 3 – 5 p.m. on Sunday, Dec. 7, at the Press Street HQ (3718 St. Claude Ave.). ++ In the summer of 2009, the Los Invisibles Inmigrantes of the Post-Katrina New Orleans Reconstruction Apocalypse Blues

Bilingual Native Citizen of the Hemispheric Americas: Latino Immigrants & the Reconstruction

This is an excerpt from the introduction to Immigrant Dreams and Alien Nightmares, a new collection of poetry by José Torres-Tama. Room 220 will host a Post-Brunch Salon to celebrate its release from 3-5 p.m. on Sunday, Dec. 7, at the Press Street HQ (3718 St. Claude Ave.). Having been born in Ecuador, South America and come Bilingual Native Citizen of the Hemispheric Americas: Latino Immigrants & the Reconstruction

Ibrahima Seck to present BOUKI FAIT GOMBO, a history of the slave community at Whitney Plantation, Dec. 3 at Octavia Books

Ibrahima Seck, a professor of history at Cheikh Anta Diop University in Dakar, Senegal, whose work focuses on Louisiana, will present his new book, Bouki Fait Gombo: A History of the Slave Community of Habitation Haydel (Whitney Plantation) Louisiana, 1750-1860, with a reading at 6 p.m. on Wednesday, Dec. 3, at Octavia Books (513 Octavia St.).  Bouki Ibrahima Seck to present BOUKI FAIT GOMBO, a history of the slave community at Whitney Plantation, Dec. 3 at Octavia Books

I learned something in the patterns and music in her voice: An interview with Catherine Lacey

John Ashbery once said, “I write with experiences in mind, but I don’t write about them, I write out of them.” This approach is not necessarily uncommon among poets or fiction writers, but Ashbery’s phrase returned to me again and again as I read Nobody Is Ever Missing, Catherine Lacey’s debut novel. In it, a I learned something in the patterns and music in her voice: An interview with Catherine Lacey