new orleans literary scene

Rodrigo Toscano and Carolyn Hembree to read at BJ’s on May 25

Poets Rodrigo Toscano and Carolyn Hembree headline the Blood Jet Poetry Series on Wednesday, May 25, at BJ’s in the Bywater (4301 Burgundy). Read ROOM 220‘s review of Hembree’s latest collection here. Rodrigo Toscano’s newest book of poetry is Explosion Rocks (Springfield Fence Books, 2016). His previous books include, Deck of Deeds, Collapsible Poetics Theater (a Rodrigo Toscano and Carolyn Hembree to read at BJ’s on May 25

Mississippi author Benjamin Morris cycles across Mississippi to protest HB 1523

Following the passage of Mississippi HB 1523 into law in April 2016, a backlash against the legislation has arisen from within the state and across the country. Not only have major corporations, artists, and musicians condemned the bill as discriminatory and harmful, but entire communities such as the cities of Hattiesburg and Ocean Springs have Mississippi author Benjamin Morris cycles across Mississippi to protest HB 1523

Yuri Herrera wins Best Translated Book Award

Local writer Yuri Herrera was recently announced as a winner of this year’s Best Translated Book Awards for his novel Signs Preceding the End of the World, translated from the Spanish by Lisa Dillman. The poetry winner was Angélica Freitas’s Rilke Shake, translated from the Portuguese by Hilary Kaplan. This is the ninth iteration of the Best Translated Book Award (BTBA) and the Yuri Herrera wins Best Translated Book Award

Antenna::Room 220 announces open calls for chapbooks and other creative work

Antenna::Room 220 is pleased to announce two new open calls for creative work: ANTENNA::ROOM 220 CHAPBOOK SERIES Submission Deadline: May 21, 2016 Antenna is soliciting proposals for chapbooks that investigate the intersections and collaborative possibilities between literature and art (defined and interpreted broadly). This continues a series of chapbooks that Antenna has produced for nearly a decade. You Antenna::Room 220 announces open calls for chapbooks and other creative work

The asking is never idle: A review of Carolyn Hembree’s Rigging a Chevy into a Time Machine and Other Ways to Escape a Plague

Room 220 will host the New Orleans launch of Carolyn Hembree’s Rigging a Chevy into a Time Machine and Other Ways to Escape a Plague, a collection of her poetry published by Trio House Press. The book won the 2015 Trio Award, selected by Neil Shepard, and the 2015 Marsh Hawk Press Rochelle Ratner Memorial Award, selected by Stephanie The asking is never idle: A review of Carolyn Hembree’s Rigging a Chevy into a Time Machine and Other Ways to Escape a Plague

ROOM 220’s Picks for the Best Panels and Other Events at the 2016 Tennessee Williams Festival (March 30 – April 3)

One of the highlights of New Orleans’ literary calendar, the Tennessee Williams Festival (March 30 – April 3) is celebrating its thirtieth year of festivities in 2016. Over its three decades, the festival has faithfully brought acclaimed poets, writers and playwrights from across the country down to the French Quarter, at once celebrating the rich ROOM 220’s Picks for the Best Panels and Other Events at the 2016 Tennessee Williams Festival (March 30 – April 3)

Zadie Smith reads at Tulane on March 1

Author Zadie Smith, who is this year’s Zale-Kimmerling Writer in Residence at Tulane University, will give a reading and sit for an interview with Karen Zumhagen-Yekplé, Assistant Professor in English, at 7 p.m. on Tuesday, March 1, at the Lavin-Bernick Center (Kendall Cram Auditorium, 2nd floor). Smith is the author of six books, most recently NW, which is Zadie Smith reads at Tulane on March 1

I don’t have to leave New Orleans, it’s leaving me: An interview with Maurice Carlos Ruffin

Maurice Carlos Ruffin has always been a writer, he says, but his writing speaks for itself on this account. Ruffin, a New Orleans native, earned his MFA in 2013 and has been taking the literary community by storm ever since. His work has been widely published, and he has received several accolades, including the 2014 I don’t have to leave New Orleans, it’s leaving me: An interview with Maurice Carlos Ruffin