Musically Speaking – Chops
Please join us for Musically Speaking with DJ Soul Sister – A series of music-themed movies and documentaries, curated and hosted by DJ Soul Sister, and co-presented by Press Street, WWOZ and Charitable Film Network. Free Admission – SEATING IS LIMITED. For more information, contact email@example.com.
CHOPS by Bruce Broder
Each year, Jazz at Lincoln Center and its artistic director, Wynton Marsalis, host the prestigious Essentially Ellington High School Jazz Band Competition & Festival. The film follows Douglas Anderson School of the Arts, a public high school in Jacksonville, FL, as they compete with elite bands from all over the country at the festival in New York City. Inspired by the entire community of jazz musicians, the students humbly recognize the honor of carrying on the legacy of the masters while watching the culmination of their hard work: an electrifying festival performance where the students realize that no matter how much one prepares, sometimes life, like jazz, calls for improvisation. (2007, 88 min.)
Drummer Jamison Ross, winner of the 2012 Thelonious Monk International Jazz Competition, who was featured prominently in the film, will be in attendance for a Q&A after the screening.
Tuesday, May 7 – Wild Combination: A Portrait of Arthur Russell
Wild Combination is director Matt Wolf’s visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. (2008, 71 min.)
In the early 1970s, Russell began working with Philip Glass and other composers in the avant-garde music world, writing melodic orchestral music. Simultaneously Arthur discovered the liberating social and aesthetic possibilities of underground discos. Under the guise of various monikers — Dinosaur L, Loose Joints, Indian Ocean — Russell produced playful and eccentric disco records that became hits of the pre-Studio 54 era.
The rules and codes of established genre didn’t apply to him, as the utopian social settings of the early discos were like the Buddhist commune Russell had once known. Now over two decades after Arthur’s death, his music continues to be rediscovered.