Join us every 2nd Saturday of the month for a reception for our ongoing exhibitions – read below to find out more about the exhibitions and the associated artist(s). Antenna does not host exhibitions or 2nd Saturday events in July+August
Join us on Saturday Nov. 14th from 6:30-9:30 PM to celebrate Second Saturday by taking the Art Bus to the open galleries across St. Roch, St. Claude, and Arabi! ART BUS LEAVES @ 6:30pm on the dot, please arrive by 6:15pm if you plan to attend
Hosted by Antenna Board Members Deveney Marshall & Taslim van Hattum , the Art Bus is FREE to ride and will stop at each gallery for approximately 20-25 minutes. Drinks and snacks will be provided. Suggested donations of $25 are appreciated, but not expected. No one turned away for lack of funds and there is no reservation required. Please email info@antenna.works with questions.
Art Bus departs Antenna:3718 at 6:30pm
Antenna:6330 Current Exhibition:: What We Carry? by Jason Kerzinski
ABOUT WHAT WE CARRY by Jason Kerzinski::
What We Carry is a collection of portraits by photographer Jason Kerzinski exploring human connection.
Through intimate medium-format photographs,
Kerzinski turns his attention toward working people. The work is an exploration of dignity, resilience, and the quiet connections formed between photographer
and subject.
Antenna:3718 Current Exhibitions::
downstairs:: BLISSVILLE by Harlan Bozeman
ABOUT BLISSVILLE by Harlan Bozeman::
BLISSVILLE is an ongoing visual diary driven by fear, historical uncertainty, and the depletion that derives from constant self-negotiation.
Set against the emotional servitude of navigating a world shaped by anti-Black violence, Blissville suggests a position of contentment that is perpetually out of reach.
LIBERATE ALL PEOPLES!
upstairs:: neo-dynastic artifice (NDA) by Antenna Collective Member AnnieLaurie Erickson
ABOUT neo-dynastic artifice (NDA) by Antenna Collective Member AnnieLaurie Erickson: neo-dynastic artifice (NDA) follows thirteen years of Erickson tracking the global proliferation of data centers, initially built to store and monetize our data. Now, as data centers shift their focus to compute capacity and tech companies feed our long-stored data into their fledgling AI models, she shifts her focus from the massive gray buildings dominating the rural landscape toward an imagined understanding of what is contained within. Aerial landscapes, technological artifacts, and their photographic representations are positioned within a continuum of processing, from mineral extraction and industrial fabrication to computation and image-making. Raw silicon and semiconductor wafers serve as both photographic subjects and video projection surfaces. Successive stages of photographing, printing, physical manipulation, and rephotographing move subject matter and images through digital and material forms, each transformation becoming the basis for the next. These endeavors trace a widening disparity of scale: computing infrastructure expands across the landscape while the circuitry within it continues to shrink. Human experience exists somewhere in between, left to contend with an unknowable and accelerating AI arms race shaped by systems of extraction, consumption, concealment, and control.
